On April 12, a new shopping mall was inaugurated in Ramallah under the name “Icon” — a deliberate choice that seeks not only to name but to consecrate, to frame the exemplary as sacred. The opening was marked by a full-blown spectacle: choreographed dancers, celebratory music, a festive crowd, and a ribbon-cutting ceremony attended by officials and Palestinian elites. It was an aesthetic of pomp and circumstance, a carefully staged performance of normalcy. But as images and…
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News Source: mondoweiss.net

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